Brittany Micka-Foos - Two Poems
- nervetowrite
- Mar 17
- 2 min read
Updated: Mar 21
Silver Lake
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was it silver or gray, when we staggered
west toward the wilderness? A cabin
for a weekend, no reception, just you
and I and the firs and the ryegrass
field blotted with rusted skidders
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did it rain all night as we laid on our sunken
mattress, not speaking? I thought
I heard something. Some moonlit animal
slithering. Mostly I remember the amphibious clouds
the hollowed stumps, a wrung-out loneliness uncoiling
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It’s a strange thing—
all this breaking down
only to discover we are the dirt
under our own feet
we are the felled trees
and the wind in the tired grass
still shuffling through those old parts
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and the moon reflects against the water.
It is bloodless. It will betray
that cut on the lake’s surface:
a serpent slides across, unfurling
in the sheen of rain that
seemingly never ceases
Â
Notes from the Medical Examiner
Â
The torso is unremarkable
The head is atraumatic
The extremities are well-formed and proportionate
Â
He is a case report now. Paper and ash.
Redacted. Struck through. Stowed away
in some file folder, buried in the basement
of a blue-gray government building
Â
The teeth are natural and appear to be in good condition
The chest is symmetrical and stable
The abdomen is soft
Â
They’ve sealed his body
in a pouch, indexed the cold
core of him, a ribcage uncurling,
revealing the point of the break
Â
The corneas are cloudy
the irides are blue
the pupils are round and equal in diameter
Â
What can I make of this
organ donor with poisoned organs?
His saltwater eyes, a litany of
scars and possible scars—
each small abrasion. This immaculate specimen
was my brother
Â
he was perfect. Look
where he fell, cut open on an oyster
shell when he was eight. I can still see
Â
the red of the radial artery slit
screaming, a mouth rent open
rendering: cm surgical scar
on the right anterior wrist
almost but never quite healed

Brittany Micka-Foos is an autistic writer from the Pacific Northwest. She is the author of the short story collection It's No Fun Anymore (Apprentice House Press 2025) and the chapbook a litany of words as fragile as window glass (Bottlecap Press 2024). Her work has been published in Ninth Letter, Witness Magazine, Epiphany, The Forge Literary Magazine, and elsewhere.
